There are things they don’t tell you about being an agented fiction writer. Some of this stuff, I learned the hard way when I briefly picked up the interest of an agent’s assistant on my first novel, way back in 2012. The interest proved to be short-lived. When you’re in the querying trenches, it seemsContinue reading “March – On Rejection”
In the midst of a third lockdown without sight of any sort of relief on the horizon, things have felt a lot more grim lately. I didn’t think that I’d be missing parties and my bookselling job all that much, and yet, here we are, and all I really want is to actually hang outContinue reading “February – Lockdown Updates and Worldbuilding Questions”
Writing, like any other craft takes practice. Take the pressure off your writing and let the words flow with this versatile and fundamental writing exercise.
If you’re finishing a novel but not quite sure you’re ready to share it, may I suggest a competition?
If, like me, you currently have a sprawling, vaguely-sensical monstrosity of a first novel draft on your hands, you may very well be wondering what to do with it. Let’s figure it out together.
Five days into November, the fireworks are flying, the coffee is flowing, and all over the world, novelists from all walks of life are furiously scribbling away, aiming to reach the goal of writing 50,000 words by the end of the month. Started in 1999 when Chris Baty was told, in no uncertain terms, thatContinue reading “How you can use Nanowrimo to build a year-long writing practice”
As a judge for Wimbledon Bookfest, I read three hundred (and forty two) stories written by children between the ages of six and eleven.
This is what I learned.