Friends, I have news. For all of you who haven’t yet seen it through my social media yet, I’m absolutely over the moon. After two years of shaping and revising this book to make it the best it can be, as of two weeks ago, I finally managed a major leap forward. I have aContinue reading “News from the Querying Trenches”
If you’re finishing a novel but not quite sure you’re ready to share it, may I suggest a competition?
If, like me, you currently have a sprawling, vaguely-sensical monstrosity of a first novel draft on your hands, you may very well be wondering what to do with it. Let’s figure it out together.
edit /ehd-it/ (verb, with object) | A long, dismal process of rearranging broken things, aligning the ragged edges of mis-matched puzzles, filing too-sharp points to polished facets and hiding the unfinished corners. Trace over fracture lines with molten gold; find diamonds to set in the pockmarks. Perhaps the thing is not a ruin after all.Continue reading “Edit”
When Lily Underwood, Queen of the Eight Lands, Empress upon the mountain, Consort of the God-king Achram Lord of Light, and Goddess of the Five Seas and the Islands of Orawn stepped back through the wardrobe door, she found that not a moment had passed. Her scepter was gone, and her royal robes, and sheContinue reading “After Narnia (a Flash Fic)”
One of my goals this year has been to get more of my work out there — not necessarily through the traditional publishing route, but on my blog, through medium, and — rather ambitiously — by posting the first novel I ever wrote (under a pen name) free on the web. So if you’re curiousContinue reading “Of Novels and Webmischief”
Five days into November, the fireworks are flying, the coffee is flowing, and all over the world, novelists from all walks of life are furiously scribbling away, aiming to reach the goal of writing 50,000 words by the end of the month. Started in 1999 when Chris Baty was told, in no uncertain terms, thatContinue reading “How you can use Nanowrimo to build a year-long writing practice”
As a judge for Wimbledon Bookfest, I read three hundred (and forty two) stories written by children between the ages of six and eleven.
This is what I learned.